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but he did not stay long. For reasons that remain unknown, later in 1230 Julian moved back to Paris.7
By the time of Julian’s arrival in Paris in 1230, a center of studies sponsored by the Order as a whole was well established. Although the first brothers arrived in Paris in 1218 or 1219 with little intention of becoming involved in academic activities, the situation changed in 1226 when four doctors of the University of Paris entered the Order.8 Within a few years, the brothers moved from outside the city at Saint Denis into the university quarter. By 1229 the brothers and other students were attending lectures and the academic importance of the Parisian fraternity was established. Its growth was so notable that in 1236, when Alexander of Hales, the leading theologian of the university, joined the Order, the pope appealed to the citizens of Paris to help the brothers build a larger structure to house the school of theology. Completed in 1240, it became known as the “Grand Couvent des Cordeliers.”
From 1230 until his death in 1250, Julian participated in the development of this center of learning. He was able to tend to his passion of organizing, teaching, and composing music. During these twenty years, he served his brothers as “cantor Parisiensis et corrector mensae,”9 whose responsibilities were to oversee the proper singing of the Divine Office, to teach music to the students, and to correct any mistakes that were made in the public reading during the Divine Office, meals or other community gatherings.
During his first decade in Paris, according to Jordan of Giano, “. . . Julian . . . wrote the offices of Blessed Francis and Blessed Anthony in a lofty style and beautiful meter, [and] ordered a provincial chapter to be held at Cologne on the Feast of the Apostles Simon and Jude (October 28, 1227).”10 Julian also may have been the author of a lost work on musical theory, Mensurae et Modi Canendi Divina Officia.11
During his second decade in Paris Julian lived with Parisian theologians like Haymo of Faversham, Alexander of Hales and John of La Rochelle and certainly influenced new students such as John of Parma and Bonaventure of Bagnoregio, both of whom were subsequently to become General Ministers. There is also evidence that the Dominicans had asked Julian for an office of Saint Dominic, but Julian’s death prevented the project.12
The Life of Saint Francis: Context and Purposes
Julian’s biography of Saint Francis was written in Paris by someone who had never met Francis and had no first-hand experience of the early days of the new fraternity. Unlike Thomas, from the small Italian mountain town of Celano, Julian was formed with experiences of the German Speyer and French Paris, both emerging urban centers. The Speyer of Julian’s youth was involved in founding a league of cities during the wars of imperial succession and was usu-
- Cf. Miskuly, 96; J.E. Weis, Julian von Speyer (+1285) Forschungen zur Franciscus- und Antonius kritik, zur Geschichte der Reimoffiziums und des Chorals, (Munich: Verlag der J.J. Lentner’schen Buchhandlung, 1900) 8-10.
- See Stephen J. P. van Dijk, Sources of the Modern Roman Liturgy. The Ordinals of Haymo of Faversham & Related Documents (1243-1307), Volume 1 (Leiden: E. J. Brill, 1963) 7.
- Ibid
- Jordan, 53. Other early chroniclers are consistent in indicating that Julian is not only the author of offices for Saint Francis and for Saint Anthony but also of lives of the two. Bernard of Besse by 1283 (or 1297) wrote: "In France, Brother Julian . . . wrote a life of Saint Francis along with the night office of the saint in words and music, with the exception of some hymns and antiphons, which are the work of the most high pope and certain cardinals." Bernard of Besse, Liber de Laudibus, Analecta Franciscana III: 666. In 1398, Bartholomew of Pisa, added: "Brother Julian the German . . . wrote histories of Blessed Francis and Blessed Anthony, including the chant, antiphons, versicles and responsories." Cf. De Conformitate Vitae Beati Francisci ad Vitam Domini Jesu, Analecta Franciscana IV: 308, 544. Nicholas Glassberger in 1506 or 1508 was more specific about Julian’s work: "He later composed a history of Blessed Francis and Blessed Anthony in a noble style and beautiful melody . . . and a Legenda of Saint Francis which begins Ad hoc quorundam." Cf. Nicholas Glassberger, Chronica, Analecta Franciscana II 91. See also Chronica XXIV Ministrorum Generalium O.F.M., AF 3: 381. This chronicle dates from around 1369; Delorme, "Catalogus Friburgensis Sanctorum Fratrum Minorum," Archivum Franciscanum Historicum 4 (1911): 553 (hereafter AFH).
- See Lothar Hardick, "Julien de Spire," Catholicisme, 26: 1240-41.
- See Vatican codex 4354, fol.112, partially edited by Franciscus van Ortroy: Julien de Spire, biographe de S. François d’Assise," Analecta Bollandiana 19 (1900): 328-29.